Showing Films Worth Seeing...

a b o u t u s

Oundle Cinema is a community enterprise, run entirely by volunteers, and incorporated as a Company Limited by Guarantee, company number 5703829. If you have any comments or suggestions, or are interested in volunteering to assist us in any capacity (it’s great fun!), or want to discuss showing films in your village, please email chrisgill@oundlecinema.org.uk

ABOUT OUR CINEMA PROGRAMMES AT THE STAHL THEATRE

All eight films in our principal programme are screened at the Stahl Theatre, West Street, Oundle. On film nights, doors open at 7.15pm for ticket sales and bar services. The programme commences punctually at 7.45pm. Tickets £5, under 18s £3, can be bought or reserved in advance at the Tourist Information Centre, 14 West Street, Oundle (tel: 01832 274333) commencing from 1 January 2010.
Ticket availability can be checked on the night by telephoning 07840 732112 after 6.45pm
(please note that this number does not receive voice or text messages)

IN THE VILLAGES

We continue to support our Village Cinema colleagues in the promotion of their own individual and imaginative selection of films, giving you even more variety and choice of entertainment. We are grateful for support from the Welland Transport and Accessibility Fund for supporting us in this programme. You’ll find details of this activity, comprising 33 screenings in 17 villages, on the ‘OUTREACH’ page of this website.

TRANSPORT

Volunteer Action can organise lifts to and from Oundle or to any of the villages, if transport is a problem. For more information ring Volunteer Action on 01832 275433 Monday - Friday 9.30am - 12.30pm or email volunteeraction.oundle@virgin.net.
Volunteer Action is a registered charity, number 1056760.

Stahl season

Up (U)

This sharp yet sweet fantasy reaffirms the Disney/Pixar stable as world leaders in great animation. A story of life, dreams and fulfilments - eventually. An elderly widower, who had dreamed of being an explorer, but now faces eviction and the remaining years of his life in care, decides on radical measures … [more]

The Hurt Locker (15)

'War is a drug' declares this thrilling film, filled with the suspense of a real bomb squad. Set in the current Iraq conflict it is a film that will not embarrass any particular political faction. It looks at the nature, the psychology, the inner strain of being part of the conflict … [more]

Broken Embraces (15)

Another wonderfully pictorial film from the master of serious kitsch - Almodovar. Another film with Penelope Cruz, one where she plays two (or is it three?) roles. A film which is easy to view, but then haunts with its allusions, whether they are to the Third Man, or to Audrey Hepburn … [more]

Departures (12A)

A failing symphony orchestra, in which the debt-ridden Daigo plays the cello, finally folds. With his wife, he returns to to his deceased mother's rural community to look for work. Desperate for employment, he answers an ad for work in what he thinks is a travel company … [more]

Moon (15)

A lone astronaut (played by Sam Rockwell) and a robot (Gerty – spoken by Kevin Spacey) provide one of the more interesting and off-beat films of the season, directed by David Bowie's son, Duncan Jones. A sci-fi film with a human twist set in the possible near future. The astronaut is managing the mining of global energy … [more]

An Education (12A)

Swinging London in the early 1960's - this fascinating film finds the mark. A film about a schoolgirl and a society, based on the journalist Lyn Barber's memoir of growing up in Twickenham and beyond... On course to go to Oxford, she encounters infatuation for an older man, petty thieving, high society, jazz, suburban caricatures … [more]

White Ribbon (15)

This is a tour-de-force, a film which confirms Haneke as the European director. Set in the North German plain in a rural community just before the Great War, the film sits on various different levels. It could be just a thriller, a who-dunnit … [more]

Julie & Julia (12A)

A film for foodies and lovers of Meryl Streep and comedy. This is a trans-Atlantic conceit: two food memoirs, two cooks folded together. The New Yorker and call-centre worker Julie, in her pokey American kitchen, sets out to cook and blog her way all through ‘Mastering the Art of French Cooking’ - Julia Child’s classic cookery book, written for Americans … [more]